London Review of Books

The recovery of history’s ‘lost’ women is often associated with the advent of feminism, but, Sophie Smith writes, women’s contributions to Western philosophy have been regularly rediscovered since at least the 14th century. She joins Tom to discuss what we can learn from the women who held their own alongside Plato, Descartes and Hume.Sponsored links:Find out more about...

In her writing about food for the London Review of Books in the 1980s, Angela Carter found a potent subject for her unique combination of savage wit and political commentary. In the ‘piggery triumphant’ of modern foodism she saw a ‘hysterical new snobbery’ in which a kirsch roulade is photographed according to the conventions of pornography. In the history and origins...

James Pratt and John Smith were the last men to be hanged in England for the crime of sodomy, reported to the authorities by nosy landlords who later petitioned for clemency. Tom Crewe joins Thomas Jones to explain how exceptional – and unexceptional – the case was. They discuss the change in attitudes to the death sentence in this period and the surprising ambivalence many...

When Michael Dobson wrote about the printing of Shakespeare’s First Folio for the London Review of Books, he described it as a ‘series of headaches’. When we tried to replicate those 17th century methods to celebrate the anniversary of the First Folio with our own Shakespearean print, we discovered how true that was.

In this film, letterpress printer Nick Hand pulls apart the...

In A House for Mr Biswas, his 1961 comic masterpiece, V.S. Naipaul pays tribute to his father and the vanishing world of his Trinidadian youth. Pankaj Mishra joins Adam Shatz in their first of four episodes to discuss the novel, a pathbreaking work of postcolonial literature and a particularly powerful influence on Pankaj himself. They explore...

In The Beggar’s Opera we enter a society turned upside down, where private vices are seen as public virtues, and the best way to survive is to assume the worst of everyone. The only force that can subvert this state of affairs is romantic love – an affection, we discover, that satire finds hard to cope with. John Gay’s 1727 smash hit ‘opera’, which ran...

Elizabeth Barrett Browning’s deeply disturbing 1847 poem about a woman escaping slavery and killing her child was written to shock its intended white female readership to the abolitionist cause. Browning was the direct descendant of slave owners in Jamaica and a fervent anti-slavery campaigner, and her dramatic monologue presents a searing attack on the hypocrisy of ‘liberty’...